- Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the `fanfare` motif from which its first theme derives
- Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete)
- Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject
- Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand, harpsichord left hand
- Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block
- Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges
- Brandenburg Concerto No. 4 in G - Second Movement: Listening from the `botton up`
- Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement
- Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 And its function
- Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian `development`
- Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement
- Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement
- Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: The use of long, sustained, slightly syncopated notes in upper strings
- Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement
- Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: close juxtaposition of contrasting elements
- Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, And an important feature of its rhythm
- Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared
- Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, `directed` listen
- Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif No. 1
- Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives
- Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists
- Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating bars by cello `continuo`
- Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, A lovely, bouncy, syncopated flourish, in which all the instruments join
- Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the `answer`, with countersubject in the violin
- Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement
- Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete)
- Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1
- Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings this section to an end
- Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5
- Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block
