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Jeremy Siepmann
- Classics Explained: DVORAK - Symphony No. 9, `From the New World`
Tovey Places the Start of the Recapitulation Here.
Perhaps This Is It? Back for a Reminder of the Theme Proper, As We First Heard It
Dvorak Flouts Tradition By Setting the Secondary Theme and the Closing Theme In Unexpected Keys.
Much of the Development Comes from a Diminution of the Closing Theme from the Exposition.
The Flutes and Oboes Introduce a New Tune, Over Hushed Tremolo Strings.
Soon, After a Very Rapid Build, the Scherzo Proper Does Reach Its Final Phase.
The Very Opening Chords Unmistakably Herald the Arrival of Something Special.
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