| Название |
Альбом |
| Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the `fanfare` motif from which its first theme derives |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, `directed` listen |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, A lovely, bouncy, syncopated flourish, in which all the instruments join |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 And its function |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Second Movement: Listening from the `botton up` |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete) |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: The use of long, sustained, slightly syncopated notes in upper strings |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating bars by cello `continuo` |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand, harpsichord left hand |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, And an important feature of its rhythm |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5 |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif No. 1 |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings this section to an end |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1 |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete) |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the `answer`, with countersubject in the violin |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: close juxtaposition of contrasting elements |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian `development` |
Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) |
| First Concerto: Spring. Cue To First Movement |
Classics Explained: An Introduction To... Vivaldi: The Four Seasons |
| Instruments of the Orchestra: Introduction to the cor anglais or `English horn` |
Instruments of the Orchestra (The) |
| Introduction to Second Movement |
Classics Explained - An Introduction to Schubert - Piano Quintet "Trout" |
| Ma Mere L`oye: 2. Petit Poucet (Tom Thumb): Introduction; Opening, With Multi-Metre Rising Scales... |
Classics Explained: An Introduction To...Ravel: Bolero & Ma Mere L`oye |
| Music: Second Movement (Complete) |
Classics Explained - An Introduction to Schubert - Piano Quintet "Trout" |
